Download Auguste Rodin (Lives of the Artists), by Rainer Maria Rilke
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Auguste Rodin (Lives of the Artists), by Rainer Maria Rilke
Download Auguste Rodin (Lives of the Artists), by Rainer Maria Rilke
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About the Author
Rainer Maria Rilke (1875–1926), widely considered one of the greatest poets of the twentieth century, is best known for the lyric sequences the Duino Elegies and the Sonnets to Orpheus. Alexandra Parigoris teaches history at the University of Leeds, where she is Henry Moore Fellow.
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Product details
Series: Lives of the Artists
Paperback: 96 pages
Publisher: J. Paul Getty Museum; 1 edition (May 22, 2018)
Language: English
ISBN-10: 1606065610
ISBN-13: 978-1606065617
Product Dimensions:
4.5 x 0.3 x 5.8 inches
Shipping Weight: 3.8 ounces (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
123 customer reviews
Amazon Best Sellers Rank:
#759,873 in Books (See Top 100 in Books)
Actually, this is not a sculpture book as you may think about Rodin's works. And this is not a book related with watercolors neither. This is a book of figure drawings. From the plates you can learn about the preparation of the Rodin's work of sculpture. Every drawings is a preview of his works. These line drawing figures with color wash were shown the beginning of design of sculptures, i.e. the posture and direction of figures, angle of the body twist and bend. If you want to know about the figure sculpture, this book will give you an inspiration.
It's more than a little presumptuous to attempt a short review of Wittgenstein's Philosophical Investigations. After all, it's one of the few most important philosophical works of the twentieth century. This edition is sorely awaited by some, after years of close examination and criticism of the Anscombe translation.First, the geeky stuff on the translation and editing. Like the Anscombe translation, this one with Hacker and Schulte joining their efforts to Anscombe's, presents the original German and the English translation on facing pages. As a reader with a spotty knowledge of German, this gives me the opportunity to refer to the original where the English seems obscure, ambiguous, or just plain impenetrable. If you're a student of Wittgenstein, Hacker and Schulte have helpfully addressed numerous, controversial aspects of Anscombe's translation -- many of these, such as the difficulty with the German "Satz" (translated relative to context by "sentence" or "proposition", two very different English words) and "Seele" ("soul" sometimes but "mind" others by context in English), are discussed in their Preface.If you are a quasi-casual reader, many of these points of translation are probably less important than overall readability. And I think Hacker and Schulte have improved readability, updating the feel of Wittgenstein's writing, which is often colloquial, to something more modern.They've also added over 20 pages of sometimes helpful footnotes, where additional information about the translation or about Wittgenstein's thoughts are enlightening. And they've recast "Part II" of the Investigations itself as "Philosophy of Psychology -- A Fragment" -- their reasoning for that is given in their Preface.Like most great philosophical texts, no matter how many times I read the Investigations, it's different each time, and I feel foolish for having understood so little the previous time. The new translation offers a great excuse to give it another read.There are many themes to pick up, including the great variety of linguistic behavior (as contrasted with naive views of language as representing or naming, or with Wittgenstein's own view in the Tractatus), the illusions of distinctive mental activities (such as "meaning" a word while uttering it, or translating the inner to the outer or public), and the general theme of philosophical problems arising when "language goes on holiday".It's the last that continues to grab my attention, persistently through readings, with different remarks jumping out of the text each time. The simple view is that Wittgenstein thinks ordinary language (what we all say and do in practical contexts every day) is fine as it is, but that it's when we detach ordinary language from those practical contexts that we get in trouble. We fall into perplexing philosophical quandaries, supposing ourselves to really wonder whether the external world or other minds exist, or whether objects are material or ideal.But philosophical exercises of language are exercises of language, after all. It's not as though we can simply say, "Don't do that" when philosophers speak, and point out that they've left the "ordinary" behind. It's not a simple mistake, and the line between the "ordinary" and the "philosophical" is crossed sometimes without special notice. And it's not even the exclusive province of professional philosophers (amateurs seem even more impressed than the professionals sometimes by their own metaphysical musings).Certainly, there is more to say about the mistake that philosophers, amateur and professional, make. In particular, there is Wittgenstein's distinction between empirical remarks (remarks about facts in the world) and grammatical remarks (by contrast, remarks about how we speak or are to speak about those facts in the world). The philosopher mistakes the one for the other, thinking that, for example, by adopting what we call an idealist grammatical position (when we talk of objects in the world, we are really talking of mental or ideal objects) we have really discovered something about the objects and not just made a statement about how we should speak of them. Much more to say on this, of course -- which is why a short review is so presumptuous. In fact, it's Wittgenstein's thoughts on why we fall victim to such a misunderstanding that I puzzle most about.
While this edition does not solve all problems, no edition could. It is a beautiful piece of work. This is one of the great philosophical books of all time having changed philosophy and culture as well. The book was intended to put an end to academic philosophy which is one reason that it has divided academicians into two camps - religious followers and those who despise the book. But you have to read it for yourself to be even within the domain of literate. It is a well written collection of sometimes aphoristic remarks, many of which have crept into literature and even scientific thought. Brilliantly original, highly readable and certain to change the way you think.Philosophical Investigations: The German Text, with a Revised English Translation 50th Anniversary Commemorative Edition
Originally published in 1953 the `Philosophical Investigations' was the latter of Wittgenstein's two influential philosophical texts (the Tractatus being the offer). This Fiftieth Anniversary edition provides the original German text and Anscombe's English translation on opposing pages.The Investigations is widely considered to be one of the most influential philosophical texts of the last century. Although it touches on a range of issues including logic and philosophy of the mind it is largely focused on issues pertaining to the philosophy of language. That said, I share the view that Wittgenstein is difficult to categorize - in many ways he stands outside the mainstream of philosophy.I have occasionally heard it said that Wittgenstein is appealing and accessible to non-philosophers. Undoubtedly this will vary from reader to reader, however, I think a good understanding of the philosophical questions of the time is essential to getting the most out of Wittgenstein - he spends little time framing the issues under discussion and without this background many of his musings may seem meaningless.From a historic perspective this is one of the most important works in twentieth century philosophy, on a more basic level it is a choppy and poorly constructed work. I struggle with Wittgenstein, sometimes viewing him as trivial other times as profound. Clearly, many great thinkers are in the latter camp, as are ironically many neophytes who want to appear as if they understand Wittgenstein.Overall, this is an excellent edition of a modern day classic - an essential addition to any serous student's library. I would not, however, recommend this as an entry point to the world of philosophy.
Impressions of Rodin's excessive self-centeredness dispersed by revelation of his focus on present, substantial work at all times to dispel insubstantial claims on him. Recommend to artists, young and old. Gives firm footing and resolve to continue striving.
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