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Walker Evans: American Photographs: Seventy-Fifth Anniversary Edition, by Sarah Hermanson Meister Walker Evans
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Review
[Walker Evans} made work that was once plainspoken and eloquent - images that still define something essential and true about America and Americans. (Vince Alletti The New Yorker)Published on the occasion of a solo show at the Museum of Modern Art, American Photographs fused Evans's avid learning from European books and journals about complex sequencing with his acute attention to bodies, faces, and places eclipsed by modern progress. No celebrities, no soaring skyscrapers -- in fact, nothing very new at all. This was a world persisting against the grain. The inscrutable photographs in suggestive, provocative order were the antithesis of the slick Life photo-stories Evans detested. (David Campany Aperture Magazine)For those who have been waiting for years to own this classic photobook -- one of the very best and most influential photobooks ever published, in fact -- this is your chance. To mark the 75th anniversary of the original 1938 publication, the Museum of Modern Art has reissued American Photographs for the first time since 1988 (the 50th anniversary). While there were previous reissues, in 1962 and 1971, the book has often been out of print and hard to find, which has caused secondhand copies to soar. Not only is it a pleasure to see it back in print at an affordable price, but, according to the jacket copy, the editors and printers have used digital technology to "aid in emulating the precise cropping and finely tuned balance of the 1938 reproductions, capturing as never before the look and feel of the first edition." Certainly this book, with its iconic play grey dust jacket, elegant typography and blind-stamped black cloth binding, looks and feels timeless. (John Dorfman Art & Antiques)"Walker Evans helped Americans discover themselves...a book populated by Depression-haunted souls." (The New York Times)
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Product details
Hardcover: 208 pages
Publisher: The Museum of Modern Art, New York; Anniversary edition (August 31, 2012)
Language: English
ISBN-10: 087070835X
ISBN-13: 978-0870708350
Product Dimensions:
8 x 0.9 x 8.9 inches
Shipping Weight: 1.9 pounds (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
75 customer reviews
Amazon Best Sellers Rank:
#87,664 in Books (See Top 100 in Books)
Although I came to understand and appreciate his work somewhat late in my own personal photographic journey, Walker Evans today stands at the top of my list of my photography heros. Where early heros such as Ansel Adams and Edward Weston espoused the same philosophy of visual clarity, Evans refined this view and elevated the commonplace to the extraordinary. He did not romanticize his subjects, something often seen in the photos of Adams and Weston. Instead, he worked in "documentary style" with honesty and simplicity. His influence has permeated photography and continues to evolve in the work of others, sometimes without them even being conscious of it."American Photographs" is one of the icons of modern photography. This is the 75th Anniversary edition of the book. I have not seen the previous editions but I find it hard to believe they could have reproduced the photographs as well as they are presented here. This book is highly recommended.
I first came to know Walker Evans' American Photographs from a copy of the original edition owned by an uncle who bought it in the MoMA gift shop during that show. That was a beautiful book, with a wide sweep of subject and treatment, and this 75th anniversary edition is amazingly close to the original, except without the wear and fading. Reviewers gush about beautiful photo reproduction all the time, so let me just say that it is outstanding, without any fault. And the rest: this is a very nice book, and it will last through years of perusing by many hands. The images I think are also a fine introduction to Evans' work and career, though this is an early book, it represents most of his fetishes: signage, rural poverty, Americana and pop-culture, informal portraiture and candids (several from his secret-subway series appear here for the first time and not again for thirty years in "Many Are Called'). I grow fonder of Evans' work all the time, and find more and more in it to tangle with. I hadn't seen "American Photographs" in 20+ years, and other re-issues haven't always been so solid and carefully put together. Happily this is, and I recommend it very strongly (and the price Amazon charges actually makes me feel guilty!).
Nice grouping of photography for anyone who enjoys the art of photography and a time in American captured on film. I especially like the size of this book - not a dominating 'look at me' type coffee table book, but a very classy 'side' table addition to any collection of hardbacks.
Evans' work seems as fresh and crisp as it must have in the Thirties when he and Henri Cartier-Bresson reinvented photography. This edition presents the original format and sequence as Lincoln Kirstein and Evans envisioned it. Although everyone has noticed that the first half of the book is stronger than the second, there are great images all through it. A must-have item for anyone with a serious interest in photography.
I own the "books on books" version of this work, which does not reproduce most of the photos at full size and has only facsimiles of many pages. This edition, on the other hand, has a full page reproduction of each photograph (beautifully printed) facing a non-distracting blank page. The effect is breathtaking after having only seen the earlier inadequate edition. I think I can now begin to understand and appreciate the incredible importance of this work, whereas previously I could only imagine what I was missing. A masterpiece, finally, not to be missed.LJS
I love Walker Evans and did not have this series that has a lot of architectural shots. He does streetscapes so well.
This is a very well produced book of the work of Walker Evans. For me it is important that I see the reproductions in as close to the original form as possible and I feel this book is achieving that. The book is not an especially big book physically, but I find that works for me. Huge books have a place, but this is of a size that lets me appreciate the art, without needing to sit at a table to hold the book.
I have been building a library of books of photographers I admire or who can offer me insights into photography. I had my doubts about this one originally, but must say it is a very good volume by an obviously accomplished photographer. Recommended.
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